Sunday, September 14, 2014

09.14.14 Apocryphal









24:00
Nothing makes sense today. I'm all over the place. The first picture in this set is one of my favorites; someone had pasted that photograph next to the Chelsea Hotel on what seemed like the only white fixture on the block. I felt like it was a riddle of some sort, but I haven't yet figured it out.

Friday, September 12, 2014

09.12.14 Sugarless






I've been taking so many pictures lately; it's been consuming my life. I don't mind it, however, it's given me a reason to wake up in the morning and a reason to stay out late. I have binders & binders full of negatives that I haven't even looked at yet. So, it's been difficult for me to organize them, let alone make sense of them. Which, I suppose, is my reason for shooting photography & writing--to make sense of myself & the world around me. I have found one common pattern recently; the pictures I most adore are not the ones I endlessly prepare for. Instead, they are the ones I take on a whim & often forget about minutes later. Many of my interests explore the confluence of man & nature. I like to capture moments that remind us we are still animals in the end, no matter how far we evolve. We are still subject to all the same ills; we are not above death & decay and neither are any of our creations. And if we were, life wouldn't be nearly as exciting. I don't think I would want to live if I also wasn't going to die.

When I was taking pictures of these pigeons in the Bowery, an older, disillusioned man jumped in front of my camera, fluffed his hair, & puckered his lips, posing. While I had used my last frames on the birds, it is a moment I'll never forget.

Sunday, September 7, 2014

09.07.14 Mother of Exiles













"Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
"Keep ancient lands, your storied pomp!" cries she
With silent lips. "Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!"

Admittedly, these photos aren't from the statue of liberty; in fact, I've yet to visit her. However, this poem applies to more than just the statue herself. It describes a place, the land of exiles, where people come to feel at home within chaos. It's a place that inspires unlike any place else. Being here is like forever living in the moment when you lift off in an airplane, look down, and realize that the world is far bigger & more complex than you could ever wrap your head around. 

I spoke with some employees of the Rockefeller Center; I asked them what it was like to have the best view in the world. They smiled, and said it only happens about once a month, but they look forward to "roof shifts." I watched them as they gazed unto the landscape like it was their first time. It induced a calmness in their eyes like no other. 

Wednesday, September 3, 2014

09.03.14 White Heat








So much light in this abandoned mall, I got to use Ektar 100 exploring! 

Monday, September 1, 2014

09.02.14 Seaside




















Whenever I'm in Jersey, I always make a stop at the Seaside Boardwalk. I still haven't uncovered exactly what it is that draws me in. It's kind of sleazy, and I like that. Sandy took its toll on it; at one point the amusement rides stood as statues in the ocean. The whole boardwalk was torn up & many of its most famous restaurants are still closed & boarded up with an uncertain future. On my most recent trip, pictured here, the storm's damage was still present. Caution tape & barriers littered the boardwalk, abandoned and active shops were sometimes indiscernable. Despite all this. the crowds were all still there. By 10am, the beach was packed. 

The color pictures were taken with a borrowed Nikon N90s, with Fujicolor Pro 400H. The bubbly black and white photos are the result of running out of film aside from an expired roll of Ilford 3200 & shooting under the sweltering summer sun. They were taken with my handy Canon AE-1.